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osloBIENNALEN 2019 2014. Lo studio del progetto Rose Hammer. Photo Marco Enrico Giacomelli
I considered it a necessity to work with people who, just like me, saw the revolutionary movement as the driving force, the engine of their creation. To me, the whole idea behind the proletarian theater revolved around the building of a community that would be human and artistic, but also political. (Erwin Piscator, The Political Theater)
